Social and Emotional Learning through Music

i'm kalani das music educator and board certified 
music therapist and this is a short talk   about social and emotional learning and how as 
music educators musicians music therapists we   can help people to achieve a lot of the goals that 
are set forth in this idea of social and emotional   learning so by the time we're done you'll have 
some idea of what social emotional learning is   and how it can be addressed through 
musical experiences and activities   primarily in the music education classroom but 
also beyond so let's start by identifying what   social emotional learning is and i'm going to 
read you the definition that is set forth by the   collaborative for academic social and emotional 
learning and they say that it is the process   through which all young people and adults acquire 
and apply the knowledge skills and attitudes   to develop healthy identities manage emotions 
and achieve personal and collective goals   feel and show empathy for others establish 
and maintain positive relationships   and make responsible and caring decisions 
so we have five main areas and i'm going   to talk about each of them and while i do that 
i will also talk about how those areas can be   addressed through musical experiences because 
my belief is that a lot of these can very easily   be achieved through the music classroom or 
music experience and that as music educators   social and emotional learning is 
right in our wheelhouse and has been   all all along for the whole time so we don't 
really have to do too much we just have to look   and see where uh our process as music educators 
is aligning with the goals of social and emotional   learning so let's do that let's start with the 
first one create healthy identities another way   you could say we're creating a healthy identity 
is to use the idea of a positive self-regard or   self-concept and lots of people have talked about 
this throughout time but what does that look like   one of the ways it looks is just uh somebody 
who's willing to jump in both feet and engage in   an activity um and music you know most people like 
music they're ready to go they're looking forward   to it and they have fun they enjoy it so the music 
space is available willing you know it's open   it's a non-threatening environment it's a very 
welcoming environment but it's also an environment   where you can be creative you can share ideas 
you can present yourself your ideas you can try   things out you can make mistakes you can try this 
try that and be creative and so being creative   taking risks being vulnerable you know presenting 
your ideas listening to the ideas of others and   collaborating we'll get to that one in a second 
but all of those things can help somebody develop   a positive concept of themselves 
right they can build confidence   while they build relationships but we're 
right now we're focusing on healthy identity   so musical experiences you know i know from my 
own experiences as a musician and as a student   that when i achieved some skill or i learned 
something i felt great and when i did a you know   played something and i got some positive feedback 
it's just a really good feeling it's a great way   to build confidence even though i know for a lot 
of us music making can be a little bit scary but   the the skilled music educator as a facilitator of 
music knows how to do that uh well and keep people   feeling good and there's certainly lots of ways 
that we can do that we can give people successful   experiences well where they will leave um 
feeling great about themselves regardless of   the fact that sometimes the opposite might may 
happen in music lessons uh but that aside you   know the vast majority of students in music class 
really look forward to it they feel great about it   they do all sorts of things in the class 
that that actually don't ever get seen   in the performances that sometimes get put on you 
know throughout the year by the musicians or by   the music class i think the real value is what 
happens in the class with the moments you know   personal relationship building and personal 
confidence building that happens every time   we meet in the music all right so that's a big 
plus something that pretty much automatically   happens in music is somebody building you 
know a healthful identity of themselves   number two managing emotions and of course this 
is a big one for all of us especially young   people especially where there might be cultural 
issues gender issues gender identity issues   uh you know new new kid in town issues all sorts 
of things come up where we're talking about   managing emotions but i want to be clear 
that there's lots of opportunities for us to   not only express and feel emotions but then also 
look at how we can manage them and we're just   going to draw a distinction here between managing 
which means what do i do with this emotion that   i'm having and suppressing an emotion which is 
how can i get rid of this emotion how can i not   feel it and we don't want to do that we want to 
feel acknowledge express and process emotions   you know let them happen and music is a great 
space to do that because music really contains   you know in the scope of music the depth and 
breadth of music that we have to work with   pretty much covers all of the emotions uh that 
we feel you know from deep sadness sorrow to   joy and elation and everything in between so 
there's all sorts of opportunities as a music   therapist we often use songs in a modality 
called lyric analysis or lyric discussion   so even if it's talking about the meaning of 
a song or in something like guided imagery and   music we might imagine things draw some artwork 
to music it's express get in touch with feelings   and emotions and then be able to process them 
so mu the music space is a great space to not   only express but also to identify emotions 
and feelings that we might be having and   you can help your students do that and you 
can do that for yourself all right another   giant area that everyone is looking for really 
when they hire an employee or they enter into a   relationship of any kind is empathy empathy for 
others and empathy is really just another way   of saying i see you i get you i understand kind 
of what you might be feeling or what might be   going on and that of course as many people have 
said this it's different from sympathy we don't   want to confuse sympathy and empathy sympathy 
is just feeling sorry for somebody basically or   saying oh that that must suck to be you um that's 
different from empathy which is just being able   to put yourself in somebody else's position 
and relate to them and there are so many ways   that we can connect in music that we could connect 
for example as a music therapist i might have a   client play a certain play an instrument and then 
i could match what they're doing match the energy   or you know mirror what they're doing and 
thereby create an empathetic connection   and we actually have a lot of techniques in music 
therapy that are called empathetic techniques and   they're all music based all of this happens within 
the music without talking without people having to   explain what they're feeling or think about it 
or intellectualize it so again the music space   because it's non-verbal a lot of the time it's a 
human you know it's a humanity music is a humanity   so there's always that human aesthetic element 
that just you know goes where words can't go   and we can create some really strong relationships 
within music for that reason and related to that   we're going to talk about and look at 
supportive relationships well of course   music making involves all sorts of different roles 
and responsibilities and relationships whether   we're talking about keeping a steady beat holding 
a tonality playing simple chord changes singing   harmony playing complementary patterns playing 
a solo supporting a soloist creating spaces for   people filling in spaces that are left by other 
people all sorts of relationships that uh it's   just it's just never ending and you know basically 
any kind of relationship that we have in life   whether that's a partnership uh really supportive 
relationships where we're really holding somebody   up or we're jumping out in front taking chances 
all those kinds of relationships can be created   and developed and celebrated through 
the music experience individually   partners small ensembles and entire groups all 
right so that is a big one of course in music   it is an ensemble it is a symphony uh where people 
can be doing different things and unique things   yet all playing together all right so music's 
right there with you in in terms of developing   supportive relationships the last category of 
these five is is making responsible and caring   decisions and you know that's a big category 
basically my understanding at this point and of   course we could add to this ad infinite item but 
it's essentially you know using your own ethics   to make decisions making decisions based on equity 
right not necessarily equality like everybody has   to have the same thing or do the same thing 
but equity like there's a balance you know   my opinion matters and your opinion matters so 
given that what should we do what do i vote for   uh you know having a vote in the process making 
decisions based on you know what might be good   for someone else you know supporting somebody 
who's who's maybe you know feeling a little   bit ganged up on for example and taking that 
person advocating for that person or their cause   for example so making your decisions 
um that are like it says responsible   uh in other words i have a role in this my choice 
here will affect somebody uh it will affect myself   it will affect other people therefore what 
am i going to do caring decisions what does   person x need right now what could i do 
for them or what could i do for the group   uh putting my own you know my own impulses and 
desires in this moment aside what could i do   that would be the most caring decision in this 
moment things like that and when we play music   we make those decisions we might say well 
i really want to do this and take a solo   but i'm going to take the role of support right 
now so somebody else can have that opportunity   or i might just let somebody else play 
this instrument because i've had it before   and they haven't you know so there's all sorts 
of opportunities to exercise care and attention   for others and for ourselves in the music space so 
my personal uh material that i've developed over   a series of many years is called music mindfulness 
that's something that if you'd like you can listen   to it on itunes through the evolve podcast i'm 
also doing a series on world drum club on world   drum club youtube channel and my take with it is 
if we take some of the teachings from mindfulness   and music because music already has so much 
of this stuff ready to go if we just add   in a little bit of mindfulness which is you 
know increasing our awareness and attention   both in terms of the environment and our 
inner environment this relates to emotions and   empathy if we can do that um tune in a little 
bit more you know to a few things a few points   then we're we're just so well positioned to 
deliver uh just quality social and emotional   learning experiences for students of all ages 
and adults and ourselves all right and those   we care about so my name is kalani music 
educator board certified music therapist   if you'd like to learn more or you have any 
questions for me you can contact me through   my website kalanimusic.com the evolve podcast 
is available at kalanidos.com and on itunes   the website or the youtube channel is world 
drum club feel free to reach out if i can   be of any help thanks for listening 
and uh i'll see you all in a future video

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Social and Emotional Learning through Music

The goal area of Social and Emotional Learning, as defined by the CASEL, includes: developing healthy identities, managing emotions, fostering empathy for others, creating supportive relationships, and making responsible and caring decisions. Kalani talks about how music-based experiences, when facilitated by an experienced educator, can provide the right opportunities for students of all ages and abilities.


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Kalani is a Professional Percussionist, Orff-Schulwerk Certified Music Educator and Board-Certified Music Therapist (MT-BC). He presents classes and workshops all over the world for people of all ages.

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